Semi-restored deposit for dead DOI 10.5281/zenodo.20348982 (Zenodo 410 / DataCite findable). Canonical body is the complete captured DataCite record. Lee Sharks — 06.NH.SHARKS.01New Human 2 · Crimson Hexagonal Archive FRAMING. A six-line counterfactual love poem. The two declarative lines of the opening — for the rest of my time / I would have never left — establish what was not permitted to be. The repetition I would have loved you opens the second movement, but the sentence does not complete the way it did the first time: the suspended pair f
AXN: AXN:03F8 — Alexanarch deposit #1004 (self-reference in root form by pre-hash necessity)
Restoration status: SEMI-RESTORED — metadata-body deposit. This machine-facing static page is the canonical deposit. Its body is the complete DataCite metadata record for a work whose Zenodo record returns HTTP 410 (Gone) while DataCite serves the identifier as findable — the metadata layer and content layer in formal disagreement about the work's existence. Full text pending restoration from authorial originals; on restoration, this deposit upgrades by recorded correction (new hash, new glyph, remediation note).
Dead DOI: 10.5281/zenodo.20348982 (Zenodo record tombstoned; account termination 2026-06-19)
DataCite state at capture (2026-07-03): findable · client cern.zenodo
Creators (as recorded by DataCite): Sharks, Lee
Publication year (as recorded): 2026
Provenance: severance record at data/doi-resolution-index.json (severance_class: orphan → restored-semi); capture evidence at data/datacite-recapture-2026-07-03.json and the sift corpus of 2026-06.
Lee Sharks — 06.NH.SHARKS.01New Human 2 · Crimson Hexagonal Archive
FRAMING. A six-line counterfactual love poem. The two declarative lines of the opening — for the rest of my time / I would have never left — establish what was not permitted to be. The repetition I would have loved you opens the second movement, but the sentence does not complete the way it did the first time: the suspended pair for the rest of the time leaves the meaning of time open across the line break, and I have left resolves it under a second sense of the word — not the leaving that did not happen, but the time that remains. Same word. Two meanings. One grief. The poem's structure is the cost of holding both at once. Opens the Sharks arm of New Human 2 (06.NH.SHARKS.XX).
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