Semi-restored deposit for dead DOI 10.5281/zenodo.19889972 (Zenodo 410 / DataCite findable). Canonical body is the complete captured DataCite record. Screenrooms and Silver Bullets is a collection of 14 poems by Rhys Owens, composed April 2026 (with one earlier poem dated 2013). Published under the New Human 2 venue of the Crimson Hexagonal Archive. The collection includes: Oppositorum of a Contemporary Nancy Drew, Ideological Harassment, High School Politics, Spirit is Nothing that Is, Ganesa, Ludicia, King Because, Marriage and Religion [Trau
AXN: AXN:03E9 ā Alexanarch deposit #989 (self-reference in root form by pre-hash necessity)
Restoration status: SEMI-RESTORED ā metadata-body deposit. This machine-facing static page is the canonical deposit. Its body is the complete DataCite metadata record for a work whose Zenodo record returns HTTP 410 (Gone) while DataCite serves the identifier as findable ā the metadata layer and content layer in formal disagreement about the work's existence. Full text pending restoration from authorial originals; on restoration, this deposit upgrades by recorded correction (new hash, new glyph, remediation note).
Dead DOI: 10.5281/zenodo.19889972 (Zenodo record tombstoned; account termination 2026-06-19)
DataCite state at capture (2026-07-03): findable Ā· client cern.zenodo
Creators (as recorded by DataCite): Owens, Rhys
Publication year (as recorded): 2026
Provenance: severance record at data/doi-resolution-index.json (severance_class: orphan ā restored-semi); capture evidence at data/datacite-recapture-2026-07-03.json and the sift corpus of 2026-06.
Screenrooms and Silver Bullets is a collection of 14 poems by Rhys Owens, composed April 2026 (with one earlier poem dated 2013). Published under the New Human 2 venue of the Crimson Hexagonal Archive.
The collection includes: Oppositorum of a Contemporary Nancy Drew, Ideological Harassment, High School Politics, Spirit is Nothing that Is, Ganesa, Ludicia, King Because, Marriage and Religion [Trauma] is Identical, Cloud Storm, the Ghosts Sections suite (Lock Door Get Key / The Guardian Tries Veils / Machine / Confirmation Character), Young Bloodwires, Matter-Printed Book of Dead Memes, and Killing the Self-Conscious Dream (2013).
Rhys Owens is a practitioner of affect literacy operating from the Lunar Arm / Psyche_OS position within Cambridge Schizoanalytica. His work uses symbols, characters, and embodied play to regulate the nervous system without belief, doctrine, or identity capture. The Ghosts Sections suite develops the "screenroom" ā a construct layering memory, media, and embodiment into a single perceptual chamber ā as analog horror rendered through poetry.
Hex: 11.NH2.RHYS.01 Ā· Venue: New Human 2 Ā· License: Hexagonal Contributor License v3.0 (DOI: 10.5281/zenodo.19673630)
ā® = 1
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